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Mizoguchi’s 30th film is the earliest surviving example of his work, and his only film of the 1920s to survive complete. Song of Home finds the director already concerning himself with the collision of traditional and modern values. The f...

Le plus ancien film de Mizoguchi est un mélodrame où il est bien difficile de retrouver le style du cinéaste. Pas de plan-séquence, pas de caméra mobile et pas non plus de portrait féminin. Le film est centré sur la figure masculine ...